THE BEST SIDE OF STAND

The taking pictures of your Stand, which lasted for 6 months,[24] took on a sort of guerrilla filmmaking, in which it had been shot over a 16mm film digital camera; filming came about in a minimum of two different places every single day, "spots I hadn't viewed right up until we started capturing there," Garris described;[35] and the results artist

The miniseries was fulfilled with normally constructive testimonials.[54] John J. O'Connor on the New York Periods wrote, "Quite a lot of time and money has gone into this output, and It is really suitable up there about the display... The nagging problem at the center of The Stand is that when the story settles early on into its schematic oppositi